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Ernest Hemingway has often been criticized for what has been seen as his negative portrayal of women. But some of the most exciting Hemingway scholarship of recent years has come from women scholars. In essays written expressly for this volume, some of the best of these scholars challenge traditional views of Hemingway and women, helping to recover the central role played by female characters and the feminine voice in his work. While Hemingway was certainly influenced by traditional perceptions of women, these essays show that he was also aware of the struggle of the emerging new woman of his time. Making this gender struggle a primary concern of his fiction, these critics argue, Hemingway created women with strength, depth, and a complexity that readers are only beginning to appreciate. The essays in this collection range from discussions of Hemingway's famous heroines Brett Ashley and Catherine Barkley to examinations of the central role of gender in his short stories and in the novel The Garden of Eden, which many critics credit with sparking the recent reevaluation of Hemingway's portrayal of women and gender issues. Moving from fiction to biography, the collection concludes with a group of essays about the real women in Hemingway's life -- those who cared for him, competed with him, and, ultimately, helped to shape his art. This timely collection appears as the literary world celebrates Hemingway's centennial and welcomes the posthumous publication of his African "fictional memoir, " True at First Light. Of interest and value to scholars and students of American literature, Hemingway, women's studies, and gender studies, this unique volume will be a welcome addition to existingscholarship on the notable American author.

Taking a fresh and innovative approach to dance history, Dancing Women: Female Bodies on Stage examines Western dance -- from the Romantic ballet to modern dance -- from a feminist perspective. Renowned critic and historian Sally Banes brings nuance and complexity to a wide range of representations of gender, departing from the common positions that stress either the victimization or celebration of women. Combining close readings of performances with analysis of the sociopolitical and cultural context of specific dances, Banes opens up dynamic new ways of seeing the female body on stage. She untangles various strands of performance, including choreographic structure and style and gaps between plot and performance. She uncovers the pervasive "marriage plot" and a wide range of women's images -- including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists and athletes -- and she shows that representations of women in dance are integrally connected to society's complex negotiations of gender. Brilliantly argued, Dancing Women reveals female dancing bodies as far more than a simple reflection of our everyday ideas about gender.

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Suzanne Lenglen - ... 24 May 1899 – 4 July, 1938) was a French tennis player who achieved much success in the French and British women's game from 1919 to 1926, winning 25 Grand Slam titles. A flamboyant, trendsetting athlete, she was the first female tennis celebrity and one of the first international female sport stars, named La Divine (the divine one) by the French press.

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